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Voyage Conductor Score
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Vous avez sélectionné:
Voyage Conductor Score
Partitions à imprimer
6 partitions trouvées
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Love Was My Lord and King!: 3. Crossing the Bar (Downloadable TTBB Chamber Orchestra Score)
Love Was My Lord and King!: 3. Crossing the Bar (Downloadable TTBB Chamber Orchestra Score)
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Gwyneth W
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Love Was My Lord and King!: 3.
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Choir and various instruments - SKU: MQ.6506-E Composed by Gwyneth W. Walker. 19 pages. E. C. Schirmer Music Company - Digital #6506-E. Published by E. ...
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Choir and various instruments - SKU: MQ.6506-E Composed by Gwyneth W. Walker. 19 pages. E. C. Schirmer Music Company - Digital #6506-E. Published by E. C. Schirmer Music Company - Digital (MQ.6506-E). Crossing the Bar creates images of the sea, with the final voyage leading us out across the water, to see our Pilot, face to face. The musical setting endeavors to express the growth from peaceful to ecstatic moods, the tolling of the bell, the meeting of the Pilot. May there be no moaning of the bar, when I put out to see.The poetry of Alfred, Lord Tennyson (1809-1892) is characterized by dark, yet transcendent imagery -- the depths of the ocean, the triumph of the spirit. These poems seem well-suited to musical settings for Men's Chorus. The deep tones. The sonority of male voices (perhaps speaking for the poet) rising in song.Throughout the varied imagery of this poetry -- the depth of the sea, the dark of the night, the tumult of passion and the acceptance of death -- there speaks one, central message. Love was my lord and king. *Sound recording provided by the High School Mens's Honor Choir, Robert Ward, conductor (Southwestern ACDA Conference 2014)
$13.15 ≈
12.27€
Innerspace
Innerspace
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Mikael Carlsson
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Innerspace
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Carlssons Kluster
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SheetMusicPlus
Full Orchestra - Advanced Intermediate - Digital Download Composed by Mikael Carlsson. 21st Century, Neo-Classical, Movies. Score, Set of Parts. 136 ...
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Mikael Carlsson. 21st Century, Neo-Classical, Movies. Score, Set of Parts. 136 pages. Published by Carlssons Kluster
A large orchestral piece, inspired by the classic film music of science fiction cinema, perfect for cross-over, pops programs. A symphonic love letter to science fiction!
Anyone familiar with the 1980s sci-fi cinema boosted by the success of Steven Spielberg should note the obvious reference in the title of this piece. The 1987 sci-fi adventure, directed by Joe Dante and produced by Spielberg, was one of my favourite movies as a teenager.
When the enthusiastic Gothia Concentus commissioned me to write Innerspace, the task was to write a stand-alone concert work that would serve as companion piece to an impressive set list of well-known genre works primarily from the world of film, but also video games. Since all of the other pieces were written for sci-fi adventures taking place in outer space, I wanted to go in the other direction - inwards.
My piece and its storyline is inspired by that of Joe Dante?s movie, and of course, even more so by the ingenious 1960s sci-fi gem Fantastic Voyage. I would not say, though, that the music itself is particularly inspired by the scores written for these films (by Jerry Goldsmith and Leonard Rosenman) - it?s more of a love letter to all of the great sci-fi music written in the past century.
Innerspace is in large doses based on an octatonic scale which I developed based on a chord progression that has been in my head since I was a teenager, just waiting for the righ opportunity to ?come out?. The piece makes a condensed journey from the stark and alarming opening, through atmospheric passages which are almost bitonal in character, via stirring action and heroic scherzo motifs to a triumphant finale.
It is my intention that this piece should be entertaining, fun and exciting for the post-modern symphony audience, as well as a lot of fun for the players and conductor who share my love for the great sci-fi movies!
Duration: ca 7:30
Instrumentation: 3(1.2.pic)3(1.2.eh)3(1.2.bcl)3(1.2.cbn) - 6652(1opt) - timp.3perc - hp.pno - str.
Mikael Carlsson
January 2019
$149.99 ≈
139.94€
Voyage - Conductor Score (Full Score)
Voyage - Conductor Score (Full Score)
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Ensemble Jazz
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Jazz
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Kenny Barron
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John La Barbera
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Pop
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Voyage - Conductor Score
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Kenny Barron. Arranged by John La Barbera. Jazz; Pop. Jazz Band. 23 pages. Published by Hal Leonard - Digital Sheet Music (HX.313471). - Jazz Band - Jazz; Po...
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By Kenny Barron. Arranged by John La Barbera. Jazz; Pop. Jazz Band. 23 pages. Published by Hal Leonard - Digital Sheet Music (HX.313471). - Jazz Band - Jazz; Pop - Hal Leonard - Digital Sheet Music
$7.50 ≈
7.00€
Concerto in Sol Maggiore
Concerto in Sol Maggiore
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Orchestre à Plectres
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Classique
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J
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Vincent Beer-Demander
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Concerto in Sol Maggiore
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Les Productions d'OZ - Digital
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SheetMusicPlus
Plectrum orchestra - Advanced - SKU: ZZ.DZ-4247 Composed by J.A. Hasse. Arranged by Vincent Beer-Demander. Score and parts. 65 pages. Les Productions d'OZ - D...
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Plectrum orchestra - Advanced - SKU: ZZ.DZ-4247 Composed by J.A. Hasse. Arranged by Vincent Beer-Demander. Score and parts. 65 pages. Les Productions d'OZ - Digital #DZ 4247. Published by Les Productions d'OZ - Digital
N? ? Hamburg en 1699, Johann Adolf Hasse, surnomm? ? il Sassone ? ?tudie aupr?s de son p?re, organiste de Bergedorf, puis ? Naples aupr?s de Porpora et se lie d?amiti? avec Alessandro Scarlatti, Farinelli, Galuppi, Jommelli, Haydn et m?me Jean Sebastien Bach, qu?il rencontre en 1731. D?s son premier op?ra, Antigonus, Hasse connait le succ?s et commence alors une carri?re de compositeur, musicien et chef d?orchestre qui le fera voyager dans toute l?Europe avant de s?installer ? Venise. Auteur de 58 op?ras, oratorios, cantates, concertos et sonates en toute genre, la quasi totalit? de son ?uvre est d?truite par l?incendie du si?ge de Dresde par les Prussiens en 1760. Malgr? la stabilit? de ses principaux traits, le style de Hasse, nettement pr?classique, connait de l?g?res ?volutions au cours de sa carri?re mais il reste un compositeur au go?t prononc? pour le lyrisme, y compris dans son ?criture instrumentale, comme le d?montre le largo de son Concerto in sol Maggiore per Mandolino e cordi. De facture Vivaldienne, cette oeuvre date tr?s certainement de la p?riode napolitaine de Hasse et il y d?veloppe une ?criture fluide et virtuose pour le petit luth, alors tr?s en vogue dans les cours et les salons princiers de ce XVIIIe si?cle florissant. Le choix de la tonalit?, le discours rythmique et l?orchestration l?g?re, constitue la preuve que le compositeur connaissait parfaitement les possibilit?s de la mandoline pour lequel il a sans doute compos? d?autres oeuvres, malheureusement disparues aujourd?hui. Born in Hamburg in 1699, Johann Adolf Hasse, nicknamed "il Sassone", studied with his father, organist from Bergedorf, then in Naples with Porpora and became friends with Alessandro Scarlatti, Farinelli, Galuppi, Jommelli, Haydn and even Jean Sebastian Bach, whom he met in 1731. From his first opera, Antigonus, Hasse enjoyed success and began a career as a composer, musician and conductor which would take him throughout Europe before settling in Venice. Author of 58 operas, oratorios, cantatas, concertos and sonatas of all kinds, almost all of his work was destroyed by the fire of the siege of Dresden by the Prussians in 1760. Despite the stability of its main features, Hasse's style, clearly preclassical, underwent slight evolutions during his career but he remained a composer with a pronounced taste for lyricism, including in his instrumental writing, as demonstrated by the largo of his Concerto in sol Maggiore per Mandolino e cordi. Vivaldian in style, this work most certainly dates from Hasse's Neapolitan period and he developed a fluid and virtuoso writing for the small lute, then very fashionable in the courts and princely salons of this flourishing 18th century. The choice of tonality, the rhythmic discourse and the light orchestration constitute proof that the composer perfectly knew the possibilities of the mandolin for which he undoubtedly composed other works, unfortunately lost today.
$18.95 ≈
17.68€
Un Moment Presque Tranquille
Un Moment Presque Tranquille
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Gilles Arcens
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Un Moment Presque Tranquille
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Concert Band Concert Band - Grade 3 - SKU: FX.FX070515-3 Composed by Gilles Arcens. Classical. Score and Set of Parts. FLEX Editions - Digital Sheet Mus...
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Concert Band Concert Band - Grade 3 - SKU: FX.FX070515-3 Composed by Gilles Arcens. Classical. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX070515-3. Published by FLEX Editions - Digital Sheet Music (FX.FX070515-3). Simple, those pieces are entertaining and humorous. Their title give easily an indication of the character to give while playing them. Except > that should be played at the start, and > at the end, I let the Conductor free to define the order in which to play the central Pieces:
$28.95 ≈
27.01€
L'Heure De Pointe
L'Heure De Pointe
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gilles Arcens
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L'Heure De Pointe
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Concert Band Concert Band - Grade 4 - SKU: FX.FX070515-2 Composed by Gilles Arcens. Classical. Score and Set of Parts. FLEX Editions - Digital Sheet Mus...
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Concert Band Concert Band - Grade 4 - SKU: FX.FX070515-2 Composed by Gilles Arcens. Classical. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX070515-2. Published by FLEX Editions - Digital Sheet Music (FX.FX070515-2). Simple, those pieces are entertaining and humorous. Their title give easily an indication of the character to give while playing them. Except > that should be played at the start, and > at the end, I let the Conductor free to define the order in which to play the central Pieces:
$28.95 ≈
27.01€
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Voyage Conductor Score
